Warren Haynes, Grace Potter, Jamey Johnson, Don Was, Dave Malone, John Medeski, Cyril Neville, Terence Higgins, Mark Mullins, and The Levee Horns are set to perform at an all-star celebration of the 45th anniversary of The Band’s historic farewell concert. George Porter Jr. and Ivan Neville will take the stage as special guests.
“The Last Waltz New Orleans” is coming to the Saenger Theatre on May 7, the second Saturday of the 2022 New Orleans Jazz & Heritage Festival. It will be a reprise of the two-night “Last Waltz New Orleans” shows held at the Saenger during the 2016 Jazz Fest.
Announcing the show, The Band’s Robbie Robertson said, “New Orleans has always felt like a second home to me musically and spiritually.” “I am honored to have this extraordinary lineup of musicians celebrate the tradition of The Last Waltz in one of my favorite cities,” he added.
Tickets will go on sale on March 14 via Ticketmaster and at the Saenger box office.
Credits: By RTTNews Staff Writer
Prince’s long-shelved Camille album is finally headed to your turntable, courtesy of Jack White.
White and his Third Man Records co-founder Ben Blackwell have revealed that they obtained the rights to release the 1986 album, on which Prince employs pitch-shifting to perform under the guise of the album’s androgynous titular alter-ego. “We’re finally going to put it out,” Blackwell told Mojo. “Prince’s people agreed – almost too easy.”
All eight Camille tracks have been previously released officially in some form. “Housequake,” “Strange Relationship” and “If I Was Your Girlfriend” wound up on Prince’s next record, 1987’s double-album masterpiece Sign O’ the Times. “Feel U Up” and “Shockadelica” were released as the B-sides to “Partyman” from the Batman album and “If I Was Your Girlfriend,” respectively.
“Good Love” turned up on the soundtrack to the Michael J. Fox movie Bright Lights, Big City. “Rockhard in a Funky Place” appeared on The Black Album, which received a limited release in 1994, and “Rebirth of the Flesh” was released in 2020 as part of an expanded reissue of Sign O’ the Times. To first prove he “had some skin in the game,” White bid $49,375 to win an auction for one of the 25 copies of Camille known to have survived Prince’s decision to scrap the album’s original release. Questlove had reportedly outbid him for another copy back in 2017.
The release date for Camille has not been revealed yet. This won’t be the first time Third Man worked with the Prince estate. In 2020, the label released a limited edition 7″ vinyl box set dedicated to the singles from Sign O’ the Times.
Prince, Camille Track List
CREDITS: Matthew Wilkening / Ultimateprince.com
Richards also spoke candidly about playing live with the Rolling Stones without Charlie Watts. With the Rolling Stones today announcing their European touring plans for this summer, Keith Richards has revealed that he and Mick Jagger have been writing new material together and talked about life after Charlie Watts in the hallowed band, who mark their 60th anniversary this year.
In a new interview broadcast on CBS Sunday Morning yesterday (13), Richards said: “I was working with Mick last week, and Steve [Jordan] and we came up with some eight or nine new pieces of material, which is overwhelming by our standards. Other times, it’s like a desert,” he laughed. “It’s the muse thing, y’know. If I could find her address…it’ll be interesting to find out the dynamics now that Steve’s in the band as we’re metamorphosing into something else, still.”
Talking candidly about playing live without Watts for the first time on the Stones’ No Filter shows in America last fall, on which the drum seat was filled by Jordan, he said: “I think Charlie wanted us to go on the road, he wanted the tour to happen. That’s my feeling, the last time I spoke to him.” Of turning around and not seeing Watts, he added: “Yeah, that is strange, to turn suddenly and after all these years, you just expect that face.”
Last Thursday (10), Richards reunited with his own band, the X-Pensive Winos (featuring Jordan, Ivan Neville, Waddy Wachtel, and Will Lee, standing in for Charley Drayton) to play at the Love Rocks benefit at the Manhattan Theater in New York. Their three-song set featured “999,” “You Got The Silver,” and “Before They Make Me Run.”
Richards also told CBS Sunday Morning that, in spite of the recent wave of major artists selling their publishing catalogs, he and Jagger have had no such serious conversation. “I don’t know if we’re ready to sell our catalog,” he said. “Might drag it out a bit, put some more stuff in it. [Selling it is] a sign of getting old.”
Credits: Paul Sexton – udiscovermusic.com
Julien’s Auctions, the world-record-breaking auction house to the stars, will honor one of the most influential music icons and guitar heroes of the progressive rock metal genre with “Property From The Archives Of Alex Lifeson”, a centerpiece of their premiere music auction event, “Music Icons”, taking place Friday, May 20, Saturday, May 21, with the RUSH legend’s auction as the grand finale on Sunday, May 22 live at Hard Rock Cafe in New York and online at juliensauctions.com.
More than 100 lots featuring signature guitars, instruments, wardrobe, gear, and memorabilia owned and used by Lifeson, the legendary Rock And Roll Hall Of Fame guitarist and co-founder of RUSH, one of the best-selling progressive rock groups of all time, who have sold more than 40 million records worldwide in the group’s four decade and counting history of record-breaking tours and performances, will be offered to the public for the first time.
In addition to playing electric and acoustic guitars with RUSH, Lifeson is renowned for his multi-instrumental repertoire of playing other string instruments such as mandola, mandolin and bouzouki, as well as keyboards and bass pedal synthesizers throughout his musical work with and outside of the band, putting his own signature of sonic experimentation with riffing, electronic effects and processing and unorthodox chord structures.
Throughout the 1980s and 1990s, that experimentation and progression would be heard in the band’s 1982 album, “Signals”, featuring their only U.S. Top 40 hit “New World Man” with the sound of synthesizers along with elements of ska, reggae, and funk. They transitioned back to the band’s core of guitar, bass, and drums with Lifeson’s acclaimed work on the 1989 album “Presto”, 1993’s “Counterparts” featuring their Grammy-nominated song “Leave That Thing Alone”, 1996 album “Test For Echo” and 2002 album “Vapor Trails”, where Lifeson used over 50 different guitars and was hailed by Guitar Player as “his most rabid and experimental playing ever.”
In 1996, Lifeson released his first solo project “Victor”, named the title track from the W. H. Auden poem “Victor” with both his son Adrian and wife Charlene also contributing to the album. His dynamic body of work includes instrumental contributions and guest appearances such as the guitar solos of “Crying Over You” and “Holy Water” on PLATINUM BLONDE’s 1985 album “Alien Shores”; Lawrence Gowan’s 1990 album “Lost Brotherhood”; guest tracks on Tom Cochrane’s 1995 album “Ragged Ass Road”, “Like A Girl” from I MOTHER EARTH’s “Scenery And Fish” album; “The Little Drummer Boy” on the 1997 album “Merry Axemas: A Guitar Christmas”; “Anesthetize” on PORCUPINE TREE’s 2007 album “Fear Of A Blank Planet” and “Sacred And Mundane” on TILES’s 2008 album “Fly Paper”. In 2006, Lifeson provided the original soundtrack material for the popular “Trailer Park Boys: The Movie”, where he would later guest appear in the franchise’s later films as well as voice the character Big Chunk in the animated series.
He is also a composer and producer whose credits include the theme for the science-fiction TV series “Andromeda”; songs on the 3 DOORS DOWN album “Away From The Sun”; Keram Malicki-Sanchez’s 2014 album “Come To Life” — playing guitar on the songs “Mary Magdalene”, “Moving Dark Circles” and “The Devil Knows Me Well”, and on Keram’s subsequent singles “Artificial Intelligence”, “That Light” and “Rukh” as well as being featured on Marco Minneman’s 2017 release “Borrego”, FU MANCHU’s 2018 “Clone Of The Universe” album and more.
Subsequent RUSH recordings and touring include their 30th-anniversary 2004 EP “Feedback” which featured their covers of CREAM, THE WHO, and THE YARDBIRDS’ songs, 2007’s “Snakes & Arrows”, 2011 live album “Time Machine 2011: Live In Cleveland” and 2012’s “Clockwork Angels”. RUSH ranks fifth for most consecutive gold or platinum studio albums, after the likes of THE BEATLES, THE ROLLING STONES, KISS and AEROSMITH.
Lifeson’s awards and recognition include induction into the Rock And Roll Hall Of Fame in 2013 with RUSH; ranking third in the Guitar World readers’ poll of 100 greatest guitarists and listing on Rolling Stone’s 100 Greatest Guitarists Of All Time; as well as being made an Officer Of The Order Of Canada on May 9, 1996, along with RUSH bandmates Geddy Lee and Neil Peart, and receiving the Governor General’s Performing Arts Awards in 2012 — the highest artistic honor in Canada. Additionally, Lifeson is a painter, golfer, and aircraft pilot.
In 2021, Lifeson released two new instrumental songs, “Kabul Blues” and “Spy House”, and recently made headlines with the news of his self-titled debut LP from new band ENVY OF NONE, featuring bassist Andy Curran, singer-songwriter Maiah Wynne, and producer Alfio Annibalini, to be released on April 18, featuring a song dedicated to late RUSH bandmate and drum legend Neil Peart.
“Julien’s Auctions is proud to present this magnificent collection of coveted artifacts of rock history directly from the legendary guitarist and pioneer, Alex Lifeson of RUSH, the most influential and innovative progressive rock metal band of all time,” said Darren Julien, president/chief executive officer of Julien’s Auctions. “Lifeson’s mind blowing creativity, musical virtuosity and raw power will take center stage here in this epic auction of his legendary guitars, instruments, and rare memorabilia representing his enduring legacy as one of the godfathers of progressive rock metal music.”
Highlights of this auction include Lifeson’s music arsenal of renowned instruments used on some of RUSH’s iconic recording sessions, hits, tours, and performances such as a 1976 “Whitey” Gibson ES-355TD electric guitar custom-built for Alex Lifeson at the Gibson factory in Kalamazoo and Lifeson’s main guitar from 1976-2015, his entire time with RUSH.
“I purchased this guitar in 1976, it was custom-built in Kalamazoo just for me. It has been my main guitar and is the iconic Alex Lifeson guitar,” said Lifeson. “Whitey” is featured on all albums from “A Farewell To Kings” (1977) to “Test For Echo” (1996) and can be seen being played by Lifeson on stage during all tours from “A Farewell To Kings” (1977-1978) to “R40” (2015) as well in most of RUSH’s music videos accompanying “A Farewell To Kings”, “Hemispheres” and “Moving Pictures”, as well as “Show Don’t Tell” from “Presto” (1989).
This splendid guitar that was part of RUSH’s most explosive era of creativity and legendary music has a conservative estimate of $200,000 – $300,000. Another notable Lifeson axe — his 1980 custom-built Hentor Sportscaster electric guitar used on the recording of RUSH’s seminal albums since “Moving Pictures”, in particular “Grace Under Pressure” where it was the main recording guitar will head to the auction stage. This iconic guitar was Lifeson’s favorite for soloing, including the solo from RUSH’s Billboard hit “Limelight”.
The Hentor Sportscaster’s heavy but versatile sound embodies RUSH’s bold sonic explorations of the 1980s and Lifeson’s growth as a soloist during this time. The Hentor Sportscaster can be seen in the music videos for “Vital Signs”, “Countdown” and “Enemy Within” and has an estimate of $100,000 – $200,000.
A 1981 Gibson Howard Roberts Fusion electric guitar that served as Alex Lifeson’s main guitar on the 1981 “Moving Pictures” tour as well as on numerous tours through the 2007 “Snakes & Arrows” tour and a 1971 Jose Ramirez classical acoustic guitar used by Alex Lifeson on all classical-style recordings from the 1978 RUSH album “Hemispheres”, including “The Trees” and “La Villa Strangiato”, will rock the auction stage. Each of these extraordinary guitars come with an estimate of $100,000 – $200,000.
Headlining the auction are a 1976 Gibson Dove acoustic guitar used by Lifeson to write “Closer To The Heart” and other songs from the 1977 RUSH album “A Farewell To Kings” and played on numerous tours, including “A Farewell To Kings” (1977-1978), “Hemispheres” (1978-1979), and “Moving Pictures” (1981) as well as a 1970 Gibson Les Paul electric guitar acquired by Lifeson on RUSH’s inaugural tour in 1974, and played extensively by Lifeson on all RUSH albums and tours from “Fly By Night” and “2112” to “Hemispheres” (each guitar estimate $100,000 – $200,000).
Other highlights include:
A 1976 Gibson J-55 acoustic guitar used by Lifeson to compose RUSH’s early 1976 platinum-selling album “2112”, as well as 1977’s “A Farewell To Kings” and served as the main acoustic guitar on “Natural Science” and “Camera Eye” from 1980’s “Permanent Waves” and 1981’s “Moving Pictures” (estimate: $80,000 – $100,000);
A 1990 Fender Stratocaster used by Alex Lifeson on most albums since “Roll The Bones” (1991) both on solos and for doubling Gibson guitar tracks and seen in the music video for “Big Money”, as well as live performances of “One Little Victory” from “Vapor Trails” (2002) (estimate: $60,000 – $80,000).
A 1992 Paul Reed Smith (bolt-on) CE electric guitar — Alex Lifeson’s main guitar from its debut on the 1993 RUSH album “Counterparts” and accompanying tour through RUSH’s tours in the early 2000s (estimate: $50,000 – $70,000). During this time, the 24 frets made this guitar a favorite for Lifeson’s distinctive and virtuosic soloing style. “This was my main ’90s-era Paul Reed Smith guitar. I still use it a lot because of the 24 frets. It was a real workhorse and I loved it,” said Lifeson.
A 2015 limited run Gibson EDS-1275 double-neck electric guitar created especially for RUSH’s 40th-anniversary “R40” tour and played live by Alex Lifeson on songs requiring both a six-string and twelve-string guitar, including “Xanadu” from the 1977 album “A Farewell To Kings” (estimate: $20,000 – $40,000)
Special exhibitions in Los Angeles and New York for the public to view highlighted items prior to the auction will be held at Julien’s Auctions in Beverly Hills April 11-15 and in New York in May.
257 N. Canon Drive
Beverly Hills, CA 90210
Exhibition: Monday, April 11 – Friday, April 15, 2022
11:00 a.m. – 6:00 p.m. Pacific Time daily
Free to the public
Live and online auction at Hard Rock Cafe New York
Friday, May 20
Session I: 10:00 a.m. Eastern Time
Session II: 1:00 p.m. Eastern Time
Saturday, May 21
Session III: 10:00 a.m. Eastern Time
Session IV: 1:00 p.m. Eastern Time
Sunday, May 22
Property From The Archives Of Alex Lifeson
Session V: 10:00 a.m. Eastern Time
Session VI: 1:00 p.m. Eastern Time
Registration is required to bid in this online auction and can be done in person at the exhibition, or online before the sale at the JuliensAuctions.com Registration page to bid by phone, proxy or in person, or online at JuliensLive.com to bid live online, or by calling (310) 836-1818. For inquiries, please email firstname.lastname@example.org or call 310-836-1818.
Credits: Blabbermouth.net /Auction Flyer: Andrew MacNaughtan